Recognised by her gestural landscapes, Caday explores her historical, cultural and spiritual connections to place utilising her practice to connect with her Filipino heritage and life living and working in the Victorian bushland. Finding solace within her home in the bush, each intuitive and organic motion of the brush is a direct response to her environment – exploring the intricate and rhythmic interplay of sound, light and form. Caday’s practice is a direct response to her experiences and memories within Australian and Filipino landscapes, acknowledging the ability of the land to hold forgotten histories and stories.